Vogue Alice’s Adventures in Wonderland
This is an old story published in December 2003 issue of Vogue. But since is about photography I thought I remember you about it.
Back in 2003 Vogue published a photography editorial featuring Natalia Vadianova a beautiful young model as Alice from the well know story of Alice’s Adventures in Wonderland.
Annie Leibovitz’s was the amazing photographer that took the photographs of a cast drawn from fashion’s own often fantastical universe.
Other famous stars that took part of this project were: Tom Ford as the White Rabbit, Donatella Versace as Gryphon, Rupert Everett as Mock Turtle and Jean Paul Gaultier as Cheshire Cat.
Drink Me
Curiouser and Curiouser
Down the Rabbit Hole
Advice from a Caterpillar
Pig & Pepper
The Cheshire Cat
Tweedledum and Tweedledee
The Mad Tea Party
Who Stole the Tarts?
The Mock Turtle’s Story
Through the Looking Glass
Photographer: Annie Leibovitz
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February 25th, 2008 09:16
[...] pictures of Drew taken by the same Annie Leibovitz for “Beauty and the Beast” pictorial, published back in April 2005 issue of [...]
May 10th, 2008 21:33
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January 13th, 2009 20:58
Wow was I surprised to come across this because I get vogue in the mail and this collection was the best photos I had seen in so long and had no idea that anyone elas noticed. It is odd when you think you might be the only one that likes something and you find out your not. So Cool and I love your blog-From Maine, Amanda
Also my Blog http://amandainmaine.wordpress.com/
February 4th, 2010 05:20
This is amazing! i love this site full of pictures!
March 6th, 2010 21:50
On its release last year I couldn’t find much to fault Avatar on. But after watching Alice – the first serious CGI-dominated 3D film since James Cameron’s immersive motion picture – there’s now a glaring issue with it: the bar was set waaay too high. Previously the computer generated effects in Alice would have knocked your socks off, however in a post-Avatar world it significantly underwhelms. Not an overly fair statement for a film which has consistently beautiful and detailed images – take the awe-inspiring climactic clash which is set on a chess board-esquire battlefield for example – but you can thank Cameron for that. Once you get past the fact that Burton’s creation does not aim to achieve realistic environments or creatures and that the actors will never appear to be anywhere other than in front of a green screen, you are in good stead to enjoy the colourful animation for what it was intended for: pure, undemanding, trippy wonderment.
March 8th, 2010 18:26
It’s not actually my practice to post comments, but I thought I would say that this was outstanding.
-G
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